There's an album come out a couple of months ago called 'No Man's Woman'. It is 'an Australian male compilation, saluting the female perspective in rock & pop'. The idea came about because You Am I did a cover of a Patti Smith song and the idea of men covering a woman's song was thought remarkable enough to raise comment. (In fact, "House of the Rising Sun", a song covered by every British male group and quite a few American ones as well, is a woman's song. Most early Anglo-American music is 'women's songs', but that's a story for another day.) On the cd, Tex Perkins, inevitably, wonderfully, sings Helen Reddy's 'I Am Woman' accompanied by his comment that he's always felt he was a 'woman in the body of an ape', which, as K-Rudd would said, is too cute by half. And yet, I find it endearing. One of us is seriously special and I'm not game to call it.Either way, it was reading the liner notes for the album that I realized that I was not alone in an everyday tragedy I suffered recently. In fact, it must be on the scale of zeitgeist by now. So, my everyday tragedy is this: I accidentally wiped my pod. So did one of the guys from The Vines. When they asked him why he choose the song he did for 'No Man's Woman' he said that he'd accidentally wiped his ipod and it meant that he had to go round borrowing and finding and buying albums so that he could build up his music library on another computer. In the process, he ended up hearing a whole load of new music, one song of which he'd liked so much that the band covered it on the album.
As with all death, my pod death (and his ipod death) lead to new life. Like The Vines, I ended up listening to a pod full of music that was new to me while I dug through my cupboards looking for my favourite cds that I bought and put on computer so many years ago I don't remember what the cover art looks like.
Gillian Welch's Soul Journey, Bernard Fanning's Tea and Sympathy, The Cat Empire's So Many Nights (which I took against the first time I heard it, but love now), solo John Lennon, Hijack Oscar and Dave Graney, At Speed's Ashtown Sessions, and particularly, Tex Perkins and Tim Rodgers' My Better Half, which, if I had no other reason, I would love just for the cover art. The album has been rightly criticised for its poor production values, but I don't mind that. I haven't heard an album as direct as this since I was 15 and heard Dylan's Another Side of Bob Dylan for the first time; an equally poorly produced album. My pod death was worth it for the song You Should See Her Now alone.